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          <title>WashingtonWatch.com - H.R. 2060, The Internet Radio Equality Act</title>
          <link>http://www.washingtonwatch.com/bills</link>
          <description></description>
          <managingEditor>info@washingtonwatch.com</managingEditor>
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<item>
<title>Status as of September 18, 2007</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html</link>
<description>9/18/2007: Referred to Senate committee. Status: Read twice and referred to the Committee on Health, Education, Labor, and Pensions.</description>
<guid isPermaLink="false">27486@http://www.washingtonwatch.com</guid>
<pubDate>Tue, 18 Sep 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Comment by AJ Russell (August 18, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#20723</link>
<description>Artist  should  get  paid  a  fair  rate ,with  that  being  said  they  want  that  rate  everytime  thier  music  is  heard.Ok  as  artist  go I  painted  this  work  of  art  everytime  you  look  at   it..show  me  the  money...</description>
<guid isPermaLink="false">20723@http://www.washingtonwatch.com</guid>
<pubDate>Sat, 18 Aug 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Revision by webmaster (August 2, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/history/110_HR_2060.html?rev=7132</link>
<description>&lt;p&gt;H.R. 2060 would nullify the March 2, 2007, determination of the Copyright Royalty Judges with respect to webcasting, to modify the basis for making such a determination.&lt;/p&gt;


&lt;h2 id=&quot;toc0&quot;&gt; Detailed Summary &lt;/h2&gt;
&lt;p&gt;Internet Radio Equality Act - Declares to be ineffective: (1) the March 2, 2007, Determination of Rates and Terms of the U.S. Copyright Royalty Judges regarding rates and terms for the digital performance of sound recordings and ephemeral recordings; (2) the April 17, 2007, modification of that determination by an order denying motions for rehearing; and (3) any subsequent modification by the Copyright Royalty Judges published in the Federal Register.&lt;/p&gt;

&lt;p&gt;Replaces standards for determining reasonable rates and terms of royalty payments for public performances of sound recordings by means of eligible nonsubscription transmission services and new subscription services with a requirement that such rates and terms be established in accordance with stated objectives of the Copyright Royalty Judges. (Currently, rates and terms are required to distinguish among different types of eligible nonsubscription transmission services and include a minimum fee for each type.) Allows a minimum annual royalty for each provider subject to such rates and terms. Provides a transition rule for payment of royalties by providers of digital audio transmissions that would have been subject to the rates and terms nullified by this Act.&lt;/p&gt;

&lt;p&gt;Revises royalty payment provisions concerning the use of certain works in noncommercial broadcasting to include: (1) sound recordings; and (2) performance or display by nonprofit organizations and public broadcasting entities. Provides a transition rule for the payment by a public broadcasting entity to owners of copyrights in sound recordings.&lt;/p&gt;

&lt;p&gt;Requires a report to the Copyright Royalty Judges by the Assistant Secretary of Commerce for Communications and Information on the competitiveness of the Internet radio marketplace and the effect on Internet radio providers of proposed rate determinations in proceedings concerning: (1) public performances of sound recordings by means of the services described above; or (2) the use of certain works in noncommercial broadcasting.&lt;/p&gt;

&lt;p&gt;Requires the Federal Communications Commission (FCC), upon publication of the commencement of proceedings of the Copyright Royalty Judges to determine rates and terms under the statutory license described in this Act, to report on the effect of such proposals on localism, diversity, and competition in the Internet radio marketplace (including in rural areas). Requires a report to Congress and the Copyright Royalty Judges by the Corporation for Public Broadcasting (CPB) on the effect of such proposals upon public broadcasting licensees and permittees.&lt;/p&gt;


&lt;!--Leave in the 'summary' tags if you want the latest summary from the Congressional Research Service automatically to replace the text between the tags once it becomes available. --&gt;

&lt;h2 id=&quot;toc1&quot;&gt; Status of the Legislation &lt;/h2&gt;
&lt;p&gt;Latest Major Action: 5/4/2007: Referred to House subcommittee. Status: Referred to the Subcommittee on Courts, the Internet, and Intellectual Property.&lt;/p&gt;


&lt;!-- Leave in the 'status' tags if you want the latest reported status from THOMAS automatically to replace the text between the tags once it becomes available. --&gt;

&lt;h2 id=&quot;toc2&quot;&gt; Points in Favor &lt;/h2&gt;
&lt;p&gt;(Log in to edit the wiki and be the first to show why the bill should pass!)&lt;br /&gt;

&lt;!-- First editor: Go ahead and take out the sentence in parentheses, and this notice! --&gt;
&lt;/p&gt;


&lt;h2 id=&quot;toc3&quot;&gt; Points Against &lt;/h2&gt;
&lt;p&gt;(Log in to edit the wiki and be the first to show why the bill should not pass!)&lt;br /&gt;

&lt;!-- First editor: Go ahead and take out the sentence in parentheses, and this notice! --&gt;
&lt;/p&gt;

</description>
<guid isPermaLink="false">7132@http://www.washingtonwatch.com</guid>
<pubDate>Thu, 02 Aug 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Comment by Jim W (July 10, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#16988</link>
<description>HR 2060, the Internet Radio Equality Act, should definitely be enacted.  The current CRB ruling will put in place a prohibitive rate structure that will:
(1) Cause major disruptive impact to the structure of an entire industry, namely Internet radio; 
(2) Result in closing off potential new markets for creative expression, and media for their communication; 
(3) Greatly minimize the availability of creative works to the public; and 
(4) Deny copyright users an opportunity for &quot;fair income&quot; and copyright owners a &quot;fair return&quot; for creative works under existing economic conditions (because the cost-prohibitive fees would result in industry closure and thus cut off the copyright payment revenue stream).
These results run counter to criteria established by Congress in Section 801(b)(1) of the U.S. Copyright Act of 1976.  H.R. 2060 would go a long way to restore these historic criteria, which the CRB has lost sight of, and which the RIAA has attempted to avoid like the plague....</description>
<guid isPermaLink="false">16988@http://www.washingtonwatch.com</guid>
<pubDate>Tue, 10 Jul 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Comment by Rob (July 3, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#16870</link>
<description>Anyone who thinks this bill should be defeated is a total Jagoff.  Why wouldn't anyone want to be able to listen to good music online with variety???  There's enough money to go around for everyone.  This is all about greed.  I pray this bill passes.  Does anyone know what date the bill will be voted on????...</description>
<guid isPermaLink="false">16870@http://www.washingtonwatch.com</guid>
<pubDate>Tue, 03 Jul 2007 00:00:00 EDT</pubDate>
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<item>
<title>Comment by Ryan Cutchall (June 29, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#16786</link>
<description>This bill is a necessity to pass. Not only will this keep american based internet radio stations up and running, it will keep them from being outsourced.  Internet radio is a key tool for DJs and EDM producers to get their word out about their product (their new music) quickly and efficiently as well as provide a window into the medium for others to enjoy....</description>
<guid isPermaLink="false">16786@http://www.washingtonwatch.com</guid>
<pubDate>Fri, 29 Jun 2007 00:00:00 EDT</pubDate>
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<item>
<title>Comment by Bill (June 29, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#16789</link>
<description>Flawed business model.

The RIAA knows just how easy it is to convert streaming content into high quality MP3s. You don't even have to be that tech savvy to do so. That is the real problem. It is protectionist to set rates like they are planning to do for Internet radio without HR 2060. Innovate around this and compete in the marketplace!...</description>
<guid isPermaLink="false">16789@http://www.washingtonwatch.com</guid>
<pubDate>Fri, 29 Jun 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Revision by webmaster (June 28, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/history/110_HR_2060.html?rev=2061</link>
<description>&lt;p&gt;H.R. 2060 would nullify the March 2, 2007, determination of the Copyright Royalty Judges with respect to webcasting, to modify the basis for making such a determination.&lt;/p&gt;


&lt;h2 id=&quot;toc4&quot;&gt; Detailed Summary &lt;/h2&gt;
&lt;p&gt;Internet Radio Equality Act - Declares to be ineffective: (1) the March 2, 2007, Determination of Rates and Terms of the U.S. Copyright Royalty Judges regarding rates and terms for the digital performance of sound recordings and ephemeral recordings; (2) the April 17, 2007, modification of that determination by an order denying motions for rehearing; and (3) any subsequent modification by the Copyright Royalty Judges published in the Federal Register.&lt;/p&gt;

&lt;p&gt;Replaces standards for determining reasonable rates and terms of royalty payments for public performances of sound recordings by means of eligible nonsubscription transmission services and new subscription services with a requirement that such rates and terms be established in accordance with stated objectives of the Copyright Royalty Judges. (Currently, rates and terms are required to distinguish among different types of eligible nonsubscription transmission services and include a minimum fee for each type.) Allows a minimum annual royalty for each provider subject to such rates and terms. Provides a transition rule for payment of royalties by providers of digital audio transmissions that would have been subject to the rates and terms nullified by this Act.&lt;/p&gt;

&lt;p&gt;Revises royalty payment provisions concerning the use of certain works in noncommercial broadcasting to include: (1) sound recordings; and (2) performance or display by nonprofit organizations and public broadcasting entities. Provides a transition rule for the payment by a public broadcasting entity to owners of copyrights in sound recordings.&lt;/p&gt;

&lt;p&gt;Requires a report to the Copyright Royalty Judges by the Assistant Secretary of Commerce for Communications and Information on the competitiveness of the Internet radio marketplace and the effect on Internet radio providers of proposed rate determinations in proceedings concerning: (1) public performances of sound recordings by means of the services described above; or (2) the use of certain works in noncommercial broadcasting.&lt;/p&gt;

&lt;p&gt;Requires the Federal Communications Commission (FCC), upon publication of the commencement of proceedings of the Copyright Royalty Judges to determine rates and terms under the statutory license described in this Act, to report on the effect of such proposals on localism, diversity, and competition in the Internet radio marketplace (including in rural areas). Requires a report to Congress and the Copyright Royalty Judges by the Corporation for Public Broadcasting (CPB) on the effect of such proposals upon public broadcasting licensees and permittees.&lt;/p&gt;


&lt;!--Leave in the 'summary' tags if you want the latest summary from the Congressional Research Service automatically to replace the text between the tags once it becomes available. --&gt;

&lt;h2 id=&quot;toc5&quot;&gt; Status of the Legislation &lt;/h2&gt;
&lt;p&gt;Latest Major Action: 4/26/2007: Referred to House committee. Status: Referred to the Committee on the Judiciary, and in addition to the Committee on Energy and Commerce, for a period to be subsequently determined by the Speaker, in each case for consideration of such provisions as fall within the jurisdiction of the committee concerned.&lt;/p&gt;


&lt;!-- Leave in the 'status' tags if you want the latest reported status from THOMAS automatically to replace the text between the tags once it becomes available. --&gt;

&lt;h2 id=&quot;toc6&quot;&gt; Points in Favor &lt;/h2&gt;
&lt;p&gt;(Log in to edit the wiki and be the first to show why the bill should pass!)&lt;br /&gt;

&lt;!-- First editor: Go ahead and take out the sentence in parentheses, and this notice! --&gt;
&lt;/p&gt;


&lt;h2 id=&quot;toc7&quot;&gt; Points Against &lt;/h2&gt;
&lt;p&gt;(Log in to edit the wiki and be the first to show why the bill should not pass!)&lt;br /&gt;

&lt;!-- First editor: Go ahead and take out the sentence in parentheses, and this notice! --&gt;
&lt;/p&gt;

</description>
<guid isPermaLink="false">2061@http://www.washingtonwatch.com</guid>
<pubDate>Thu, 28 Jun 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Revision by webmaster (June 28, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/history/110_HR_2060.html?rev=2062</link>
<description>&lt;p&gt;H.R. 2060 would nullify the March 2, 2007, determination of the Copyright Royalty Judges with respect to webcasting, to modify the basis for making such a determination.&lt;/p&gt;


&lt;h2 id=&quot;toc8&quot;&gt; Detailed Summary &lt;/h2&gt;
&lt;p&gt;Internet Radio Equality Act - Declares to be ineffective: (1) the March 2, 2007, Determination of Rates and Terms of the U.S. Copyright Royalty Judges regarding rates and terms for the digital performance of sound recordings and ephemeral recordings; (2) the April 17, 2007, modification of that determination by an order denying motions for rehearing; and (3) any subsequent modification by the Copyright Royalty Judges published in the Federal Register.&lt;/p&gt;

&lt;p&gt;Replaces standards for determining reasonable rates and terms of royalty payments for public performances of sound recordings by means of eligible nonsubscription transmission services and new subscription services with a requirement that such rates and terms be established in accordance with stated objectives of the Copyright Royalty Judges. (Currently, rates and terms are required to distinguish among different types of eligible nonsubscription transmission services and include a minimum fee for each type.) Allows a minimum annual royalty for each provider subject to such rates and terms. Provides a transition rule for payment of royalties by providers of digital audio transmissions that would have been subject to the rates and terms nullified by this Act.&lt;/p&gt;

&lt;p&gt;Revises royalty payment provisions concerning the use of certain works in noncommercial broadcasting to include: (1) sound recordings; and (2) performance or display by nonprofit organizations and public broadcasting entities. Provides a transition rule for the payment by a public broadcasting entity to owners of copyrights in sound recordings.&lt;/p&gt;

&lt;p&gt;Requires a report to the Copyright Royalty Judges by the Assistant Secretary of Commerce for Communications and Information on the competitiveness of the Internet radio marketplace and the effect on Internet radio providers of proposed rate determinations in proceedings concerning: (1) public performances of sound recordings by means of the services described above; or (2) the use of certain works in noncommercial broadcasting.&lt;/p&gt;

&lt;p&gt;Requires the Federal Communications Commission (FCC), upon publication of the commencement of proceedings of the Copyright Royalty Judges to determine rates and terms under the statutory license described in this Act, to report on the effect of such proposals on localism, diversity, and competition in the Internet radio marketplace (including in rural areas). Requires a report to Congress and the Copyright Royalty Judges by the Corporation for Public Broadcasting (CPB) on the effect of such proposals upon public broadcasting licensees and permittees.&lt;/p&gt;


&lt;!--Leave in the 'summary' tags if you want the latest summary from the Congressional Research Service automatically to replace the text between the tags once it becomes available. --&gt;

&lt;h2 id=&quot;toc9&quot;&gt; Status of the Legislation &lt;/h2&gt;
&lt;p&gt;Latest Major Action: 5/4/2007: Referred to House subcommittee. Status: Referred to the Subcommittee on Courts, the Internet, and Intellectual Property.&lt;/p&gt;


&lt;!-- Leave in the 'status' tags if you want the latest reported status from THOMAS automatically to replace the text between the tags once it becomes available. --&gt;

&lt;h2 id=&quot;toc10&quot;&gt; Points in Favor &lt;/h2&gt;
&lt;p&gt;(Log in to edit the wiki and be the first to show why the bill should pass!)&lt;br /&gt;

&lt;!-- First editor: Go ahead and take out the sentence in parentheses, and this notice! --&gt;
&lt;/p&gt;


&lt;h2 id=&quot;toc11&quot;&gt; Points Against &lt;/h2&gt;
&lt;p&gt;(Log in to edit the wiki and be the first to show why the bill should not pass!)&lt;br /&gt;

&lt;!-- First editor: Go ahead and take out the sentence in parentheses, and this notice! --&gt;
&lt;/p&gt;

</description>
<guid isPermaLink="false">2062@http://www.washingtonwatch.com</guid>
<pubDate>Thu, 28 Jun 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Comment by anole (June 26, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#16663</link>
<description>Reading the comments here, I can appreciate both sides of the argument.  However not being a musician or a working at a net radio station, I can only speak to my role as a listener and consumer.  I use I-tunes radio daily.  I appreciate good music, but don't have the time to go hunt for it.  I have found dozens of artists that I would never have heard of if not for internet radio.  When I hear a song that I dig, I jump on over to the itunes store and buy it.  I somehow always thought that it was good thing for artists, and that I was doing my part in fostering unknown, or independent musicians.  Maybe I was wrong and the artists opposed to the bill don't want my money, or have some other marketing tactic, but if internet radio goes away,  I see myself saving alot of money on music....</description>
<guid isPermaLink="false">16663@http://www.washingtonwatch.com</guid>
<pubDate>Tue, 26 Jun 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Comment by Mr. Pelicano (June 26, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#16665</link>
<description>One thing to keep in mind is that the fees that CRB wants to levy on internet radio broadcasters applies only to those domiciled in the United States.  It has absolutely no force of law outside U.S. borders.  So, in effect, what the proposed rate hike will achieve is the destruction of internet radio within the U.S. but will have no effect whatsoever on internet radio outside the U.S.  Thus, one has to wonder what kind of enforcement power these rules will have if broadcasters simply shift their operations offshore - to Canada, Mexico, Costa Rica, etc....</description>
<guid isPermaLink="false">16665@http://www.washingtonwatch.com</guid>
<pubDate>Tue, 26 Jun 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Comment by ConsumerJoe (June 26, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#16674</link>
<description>I vote for anything that keeps money out of the hands of Corporate America.  If they want to put an end to piracy and/or copyright infringement, then they should lower the cost of CDs ... don't gouge someone that is MARKETING YOUR PRODUCT to get the money you feel you have lost.  Leave the gouging to the medical industry.  I hope the bill passes, and I hope that Corporate America (here, the record labels) learns from this and goes back to working for a buck rather than taking one from someone else....</description>
<guid isPermaLink="false">16674@http://www.washingtonwatch.com</guid>
<pubDate>Tue, 26 Jun 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Comment by anon (June 25, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#16637</link>
<description>Artists should be paid for the use of their material, but all media types should pay them evenly across the board. You should not let mainstream broadcasters off the hock allowing them to use material free, while charring satellite radio a normal fee and then tripling the rates for Internet broadcasters. That is quite plainly discrimination.

If you were selling apples you would not charge one price for White people and another price for Black people and yet another price for Asian people. Set a base price for everyone and raise that price across the board when you feel you are not being paid fairly for your services....</description>
<guid isPermaLink="false">16637@http://www.washingtonwatch.com</guid>
<pubDate>Mon, 25 Jun 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Comment by Alain James (June 24, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#16614</link>
<description>Christopher Lane
It is all about nothing but GREED. I think the days of artists making enough money to buy small countries should be over!


This is not true for most working jazz musicians.
We get nothing at all. You can feel somewhat lucky to have you music played, but your copyrighted music is supposed to garner you a few bucks to help you survive. Many recordings by independent musicians are produced by the musicians themselves. They pay all the costs and are should be compensated by some agreement between radio and the artists.


There has to be some balance between the desirable quality of having ones' music played and heard by interested people, and the undesirable quality of being exploited....</description>
<guid isPermaLink="false">16614@http://www.washingtonwatch.com</guid>
<pubDate>Sun, 24 Jun 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Comment by Artist Advocate (June 13, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#16379</link>
<description>Radio has had a free ride for too long. Abolish the radio exemption and let the market set the royalty rate in all media....</description>
<guid isPermaLink="false">16379@http://www.washingtonwatch.com</guid>
<pubDate>Wed, 13 Jun 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Comment by Carl Powell (June 11, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#16324</link>
<description>In response to Darren: I agree with you. The Federal Govt. should NOT have any say in setting rates, let the free market decide. HOWEVER, the govt. should also not play favorites. If broadcast media is exempt as 'advertisement' then all media should be the same regardless of how it arrives in my home. The information is the value bearer, not the means. This is the very distinction that enables subscription services, the theme that their service is better in some way. The Tidewater, VA market is in the nations top 10 and has no other outlet for music genres such as you find on Monad.fm Sky.fm HAPPYDAYS and several others that I listen to. The library doesn't even carry many of these artists. This bill must pass....</description>
<guid isPermaLink="false">16324@http://www.washingtonwatch.com</guid>
<pubDate>Mon, 11 Jun 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Comment by Bill Maxwell (June 11, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#16331</link>
<description>The Copyright Royalty Board is an organization of the Library of Congress, three members names by the Library of Congress, to set the rates and terms for making royalty payments to the SoundExchange, the music industries roalty collection organization.
I would say that the Government is in the business of setting the rates.
I wonder the extent of lobbying to drive Internet Radio out of business through divide and concur?
Is Satellite Radio far behind?
This Act must pass to provide a equal playing field to ALL musical content providers,old and new, not just the ones with the big money and endless lobbyists....</description>
<guid isPermaLink="false">16331@http://www.washingtonwatch.com</guid>
<pubDate>Mon, 11 Jun 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Comment by Christopher Lane (May 18, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#15727</link>
<description>It is all about nothing but GREED. I think the days of artists making enough money to buy small countries should be over! There are many many many artists who have much better talent and should be allowed to be heard. Nobody owns music! its only a series of tones set to a timed rythym. Just Greed plain and simple. Please stop the GREEDY RIAA!!!!...</description>
<guid isPermaLink="false">15727@http://www.washingtonwatch.com</guid>
<pubDate>Fri, 18 May 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Comment by Darren (May 12, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#15587</link>
<description>The question in this debate is who gets to determine the royalty rates for playing music online:  Those who own the music or those who play the music?

There are a few facts that webcasters tend to ignore when debating this issue:  

1.)  The rates the CRB set were desired by the labels (i.e. the people who own the music).  If they own the music, shouldn't they be the ones to set the rates?  

2.)  Webcasters are free to negotiate rates with music owners outside of this ruling.  Therefore, if there are artists who want their music to be played by webcasters, those artists are free to do so.  (Most artists tend to choose the labels...)

3.)  This isn't a fee for playing *any* music online, it's playing *copyrighted* music online.  People are free to host their radio shows, but they are not free to play copyrighted music without permission from the owners.

I hope this bill is defeated. The government should not have a role in setting music rates....</description>
<guid isPermaLink="false">15587@http://www.washingtonwatch.com</guid>
<pubDate>Sat, 12 May 2007 00:00:00 EDT</pubDate>
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<item>
<title>Comment by Cash Morris (May 12, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#15589</link>
<description>Musicians, and the people who produce and provide the music to the people should be compensated.  However that compensation should not be at the cost of bankrupting an emerging market.  Surely a reasonable percentage of the revenue that the internet radio companies make is a fair comprimise.
    Making a flat rate fee apply to services such as Siruis, who are paid by their users, the same as Pandora's free service is completely unfair. 
    Let the RIAA get their bread and butter from record sales not from the blood of those promoting the product....</description>
<guid isPermaLink="false">15589@http://www.washingtonwatch.com</guid>
<pubDate>Sat, 12 May 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Status as of May 4, 2007</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html</link>
<description>5/4/2007: Referred to House subcommittee. Status: Referred to the Subcommittee on Courts, the Internet, and Intellectual Property.</description>
<guid isPermaLink="false">22659@http://www.washingtonwatch.com</guid>
<pubDate>Fri, 04 May 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Status as of May 4, 2007</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html</link>
<description>5/4/2007: Referred to House subcommittee. Status: Referred to the Subcommittee on Courts, the Internet, and Intellectual Property.</description>
<guid isPermaLink="false">29718@http://www.washingtonwatch.com</guid>
<pubDate>Fri, 04 May 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Comment by Tim Davis (May 1, 2007, 01:00:00)</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html#15218</link>
<description>It is very important for this bill to pass. Radio is currently dominated by hefty frequency licencing fees, royalties, and even the cost of launching sattelites into space. These cost make it prohibitive for smaller, more focused stations to be heard at all. 

 Internet radio bridges the gap between music variety and access. Music has been around since the birth of man and isn't going anywhere. The fees assessed by the Copyright Royalty Judges are unfair and unrealistic.  For instance, a measily internet radio station with just 100 listeners playing 24 hours a day would have to pay $1,920 per day to the RIAA under the current new rules! This same station would be paying almost $700,000 per year. The rate also increases 30% each year to an astounding $4,560 per day and 1.66 Million dollars PER YEAR by 2010, and this is just for 100 listeners....</description>
<guid isPermaLink="false">15218@http://www.washingtonwatch.com</guid>
<pubDate>Tue, 01 May 2007 00:00:00 EDT</pubDate>
</item>
<item>
<title>Status as of April 26, 2007</title>
<link>http://www.washingtonwatch.com/bills/show/110_HR_2060.html</link>
<description>4/26/2007: Referred to House committee. Status: Referred to the Committee on the Judiciary, and in addition to the Committee on Energy and Commerce, for a period to be subsequently determined by the Speaker, in each case for consideration of such provisions as fall within the jurisdiction of the committee concerned.</description>
<guid isPermaLink="false">19651@http://www.washingtonwatch.com</guid>
<pubDate>Thu, 26 Apr 2007 00:00:00 EDT</pubDate>
</item>
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